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To be completely honest, we watch romantic comedies year-round. But movies about the trials of relationships and putting yourself out there in the name of love hit different around Valentine's Day. And any one of these Valentine's Day movies is the perfect way to cozy up on the couch with your significant other. After all, streaming a romantic movie on Netflix (or your platform of choice) is an easy and affordable activity to do on Valentine's Day, whether it's with your partner or with a group of your best friends.
If you're thinking Enchanted is a kids' movie, think again. This whimsical, hilarious, adorable story shows the bright side of love, and the chemistry between Amy Adams' ever-optimistic princess and Patrick Dempsey's cynic is spot on.
This movie is a comedy, drama, and romance all rolled into one. Simon is a high school student who has a budding online romance with an anonymous boy you'll be begging to know the identity of by the end of the movie. There's just one thing: He hasn't come out yet to his friends and family.
There's no better Galentine's Day pick than this movie about a stripper who dreams of starting his own business, but gets swept up in a hard-partying lifestyle. Grab your girls if watching Channing Tatum and Matthew McConaughey shirtless for a few hours sounds like the perfect V-Day.
Vidya Balan played the role of a vibrant, optimistic and full of life housewife Sulu whose life changes unexpectedly when she lands a job at a radio station for a night show. RJ Malishka, Neha Dhupia and Manav Kaul played pivotal roles in the movie. The movie is a feel-good watch.
Deep Blue Sea 3 At long last, our national nightmare is concluded. No longer will we as a people have to live under the knowledge that a complete Deep Blue Sea trilogy eludes our grasp. This weekend, the saga concludes! And in grand style, as a sunken island town watched over by an "eminent marine biologist" (Tania Raymonde of LOST) is unduly terrorized by genetically enhanced bull sharks who seek to mate with Great Whites to become the most ultimate of all killer fish. Ponder this, dear reader: Is any other movie premiering this weekend going to have sex-crazed homicidal genetic freak sharks wreaking havoc underneath a rickety town made almost entirely out of houses on stilts stuck in the water? No. The answer to that question is No. Available via Amazon Prime Video
Top Gun Much in the same way Die Hard's status as a Christmas movie started as a cute observation that came to swallow it whole, Top Gun's innate gayness was once just a knowing, winking in-joke among film dorks, but now has become the aspect that defines Tony Scott's glistening, teeth-clacking ad for the US Navy. You can try to watch it as it was presumably intended it be seen in the repressed-yet-beefy heart of the Reagan '80s. But those abs! Those butts! ("I want butts!") The volleyball game. 30 years of time has reframed Top Gun entirely, and unlike Die Hard's redefinition, this glossy, fetish-friendly framework has helped make the film more entertaining. We may not be getting Tom Cruise's Maverick sequel this year like we were hoping, but being able to take the highway to the Danger Zone whenever we want is a nice consolation. Available via Amazon Prime Video, HuluStarting Saturday
Her Effortless Brilliance: A Celebration of Lynn Shelton Through Film and Music Acclaimed Seattle director Lynn Shelton died too soon, and the grief felt by her fans, collaborators, and loved ones comes through in this documentary by Shelton's longtime friend Megan Griffiths. It's free to watch on YouTube and features a star-studded lineup of appearances, including Emily Blunt, Kaitlyn Dever, Rosemarie DeWitt, Mark and Jay Duplass, Jeff Garlin, Joshua Leonard, Sean Nelson, Michaela Watkins, and Reese Witherspoon, as well as live music from her partner Marc Maron, Andrew Bird, Ben Gibbard, Laura Veirs, and Tomo Nakayama. Available via YouTube
This leads me to my question. Should the person who reviews the English dub be someone who has or hasn't seen the Japanese dub? I think hasn't, because, for example, last week you talked about Redline's dub being horrible and in effect ruining or doing injustice to the movie (I am paraphrasing here), whereas I watched the English dub and thought it was great, and that's probably because I didn't watch the Japanese version first. Also, I recall reading a similar opinion in the review on here about the movie when it came out (the dub being so bad compared to the sub), and at the time thought the same thing: you shouldn't be comparing the two things. Some people watch only subs, some only dubs, and some both. I don't see how comparing makes sense in terms of reviewing, and those who have watched the Japanese version first almost always will therefore be biased to that (and in a lot of cases, vice versa). This isn't about which is better, it's just about a review, so a sub should be reviewed on its own merits just like a dub should. Sorry this has turned slightly into a rant, but I am curious as to your thoughts on the matter. I mean, had you not seen Redline in Japanese first, do you think it is possible you would have liked the movie more when you watched it in English?
For example! I sat through the last Twilight movie. I haven't seen any of the previous ones. I haven't read the books. But I love Bill Condon, so I paid to see it. And, well, what can I really say about it? It definitely was a movie with some pale vampire dudes and a buff wolf-guy. It was basically inert. It wasn't an awful, inept piece of garbage that failed as a movie. It definitely was a movie. It definitely told a story. But it's a very specific kind of story with characters I didn't know or care about. That movie was not made for me. And so my opinion on it is mine and mine alone. Honestly I can't even remember what I said or thought about the thing when it was over. Oh well. That's more space in my brain, then, to hold onto the things that *I* genuinely enjoy. Good riddance.
If I had to pick one "non-mainstream" title that I have come to love through fansubs, it would have to be "Legend of Galactic Heroes". For those who have not had the pleasure of watching the show, the show was originally released as an 110-episode OVA over the period of ten years, and would best be described as a military space opera. The show is populated with deeply intelligent characters of various moralities, an extremely well-planned and complex plot arc that extends over 110 episodes, complex moral situations, and epic space battles, all of which is set against classical music pieces from some of the best classical music composers of all time.
One title I am confident I would never have seen without fansubs is the noncrowdpleasing financial bomb Angel's Egg. The closest this ever got to an official release in my region was being spliced and changed around into an entirely different movie. It's understandable why it hasn't seen a proper release. Nobody is going to call up their friends and make some popcorn to watch this movie. It's slow, heavy in symbolism and reticent to give any answers as to just what exactly it's actually about. And yet, it's a wonderful effort by director Mamoru Oshii and all involved in the animation. A title that could only have made sense in Japan's bubble economy, it's beautiful looking and a, dare I say, artful personal story. But, as I said, it is economic kryptonite. It did terribly in Japan, so no company would mind let it simply falling into obscurity. Yet thanks to the efforts of fansubbers, you could go watch the movie right now if you wanted to. (This isn't the only unmarketable Oshii title I've seen thanks to fansubbers, but you only asked for one.)
Oh boy, this is basically like picking the the anime the got screwed over by the licensors the most. There have been plenty of shows that I've discovered through fansubs, but most of those had a readily available legal version that I did not know about at the time. I try to avoid fansubs most of the time due to the legal implications and, quite frankly, fansubbers are sort of obnoxious sometimes (come on, "uchujin" does not mean "immigrant" guys). Back in the day, before Crunchyroll's glory was exposed to me, I watched fansubs quite often. I was introduced to some fabulous titles that I will always have fond memories of (and of the crappy picture quality). During that time period, I met and fell in love with the Macross franchise. As far as I'm concerned, space operas don't get much better than Macross, unless you count Gurren Lagann as a space opera.
After I watched The Super Dimensional Fortress Macross, I was instantly hooked on sci-fi anime and anime music for that matter. Whenever 80's anime is mentioned, you won't hear much praise coming from me unless it's in the direction of Macross, Akira, or Miyazaki films, so it was fairly unlikely that a series aired from 1982 to 1983 would win my affection. But it did and spurred me to track down every bit of the Macross franchise I could find scattered across the internet, finally culminating in my viewing of Macross Frontier. Now, being the dirty pirate I was, I didn't think to look up the legal versions of anything in the Macross franchise, which turned out not worth doing anyways. I was shocked and appalled, once I finally decided to buy the DVDs, that nobody had licensed the franchise. I thought somebody was playing some sort of cruel joke on me, but the real cruel joke was that blasphemous compilation Harmony Gold upchucked called Robotech. I won't delve into the many transgressions Robotech committed against Macross, but I will say that it could possibly be the reason Harmony Gold never extracted its head from its rear end and never properly dubbed a Macross series. Thirty years have passed since the first Macross series, and I still don't foresee a mainstream entrance for the franchise into the North American anime market. It's a great shame that such a wonderful and influential franchise was never paid the respect it deserved outside of Japan. 2b1af7f3a8